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Salim Ghazi Saeedi () (born 1981, Tehran, Iran) is an Iranian composer and guitarist in variety of genres ranging from progressive metal〔Windhawk, "(Progarchives.com's review on Ustuqus-al-Uss album )", ProgArchives, May 23, 2009〕 and jazz fusion〔MP, "(Albumbesprechung Salim Ghazi Saeedi - Iconophobic ), Rezensator.de, 2010〕 to avant-garde classical chamber,〔Lee Henderson, "(Iconophobic Album Review )", ProgNaut, October 13, 2010〕 progressive surf,〔Richard Poulin, (Abrahadabra Review ), Gnosis2000, May 2008〕 progressive rock,〔Lee Henderson, "(Iconophobic Album Review )", ProgNaut, October 13, 2010〕 RIO (Rock in Opposition)〔Fred Trafton, (Iconophobic Album Review )", GEPR, Jun 2011〕〔Gary Hill, (Iconophobic Album Review )", Music Street Journal, Issue 85, December 2010〕〔Mr. Blue, (Iconophobic Album Review )", Music Waves webzine, Jun 2011〕 and art rock with minimalist approach.〔Steven Reid, "(Iconophobic Album Review )", Sea of Tranquility, September 28th 2010〕 ==Biography== Salim Ghazi Saeedi was born in 1981 in Tehran, Iran. He began self-teaching guitar in 1999. He has composed three albums "Abrahadabra" (2006), "Sovereign" (2007) and "Ustuqus-al-Uss" (2008) in the band Arashk. Afterwards he released Iconophobic (2010), Human Encounter (2011) and namoWoman (2012) as a one-man-band in which he played the roles of composer, guitarist, keyboard player, drums arranger, mixing engineer and producer. Some critiques have compared his sound to Univers Zero, Art Zoyd,〔Siggy Zielinski, "(Iconophobic Album Review )", BabyBlaue.de prog-review, 17.10.2010〕〔ProgNaut webzine, Lee Henderson, (Iconophobic Review ), Oct 2010〕〔The Rocktologist, Rok Podgrajšek, (Human Encounter Review ), Oct 2011〕 John Zorn,〔Digg *, (Human Encounter Review ), Quincy Cloet, Nov 2011〕 Patrick O'Hearn, Mike Oldfield〔Hard Rock Service, (Iconophobic Album Review ), Vincent, Jul 2011〕Djam Karet and Birdsongs of the Mesozoic,〔"Gary Hill, (Iconophobic Album Review )", Music Street Journal, Issue 85, December 2010〕 David Bedford, Richard Pinhas, ZNR, Mecano,〔Lee Henderson, "(Iconophobic Album Review )", ProgNaut, October 13, 2010〕 Present, Aranis, the entire Belgian chamber rock scene,〔Peter van Haerenborgh, "(Iconophobic Review )", Progwereld, Mar 2011〕 Dick Dale,〔Richard Poulin, (Abrahadabra Review ), Gnosis2000, May 2008〕 Anne Dudley and Jaz Coleman〔Rob F., "(Iconophobic Review )", Leicester Bangs, Jun 2011〕 and X-Legged Sally.〔Lee Henderson, "(Ustuqus-al-Uss Review )", ProgNaut, Aug 2011〕 Some progressive rock publications have also compared his music to King Crimson and Robert Fripp's.〔Philippe Gnana, "(Iconophobic Review )", ''Harmonie Magazine'', No. 70, Nov 2010, p. 30〕〔Peter van Haerenborgh, (Iconophobic Review ), Progwereld, Mar 2011〕〔Artrock.pl, (Iconophobic Album Review ), Wojciech Kapała, May 2011〕〔Gary Hill, (Human Encounter Review ), Music Street Journal, Issue 85, Dec 2011〕 His albums could be regarded as concept albums hiring elements of classical and electronic music and progressive rock with diversified use of instruments.〔"The Progressive Rock Files, (Iconophobic Review ), Jerry Lucky, Mar 2011〕 In his 2012 album, namoWoman, he incorporated Persian microtonal music influences.〔Progwereld, (namoWoman album review ), Peter Van Haerenborgh, Retrieved: 3/24/2013〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Salim Ghazi Saeedi」の詳細全文を読む スポンサード リンク
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